INTRODUCTION

HI THIS IS PAVAN CHAKRAVARTHI

 I teach you as poster design and how do you can if will be as professional posters design as you looks and also have great time to spent will poster as to as soon as you can create you own poster as professianal

WHAT IS POSTER DESIGN ?

A poster is a temporary promotion of an idea, product, or event put up in a public space for mass consumption. Typically, posters include both textual and graphic elements, although a poster may be either wholly graphical or wholly text. Posters are designed to be both eye-catching and informative.to express to feeling as art , or painting ect….

Posters are thought to be one the first directions of visual advertisement which appeared in the 19th century. First posters were politically oriented but in a short time people came up with an idea of using them as product ads.

As posters grew their popularity, people started to apply them in many different fields and created numerous styles and directions for poster design. Let’s see what common types of posters are and which directions designers follow to create unique works.

INDIA FIRST MOVIE POSTER ?

this movie poster as name “alam ara” ( transl. The Ornament of the World) was a 1931 Indian film directed by Ardeshir Irani. … Alam Ara debuted at the Majestic Cinema in Mumbai (then Bombay) on 14 March 1931. The first Indian talkie was so popular that “police aid had to be summoned to control the crowds.”

Irani recognised the importance that sound would have on the cinema, and raced to complete Alam Ara before several contemporary sound films. Alam Ara debuted at the Majestic Cinema in Mumbai (then Bombay) on 14 March 1931. he first Indian talkie was so popular that “police aid had to be summoned to control the crowds.” The film was houseful for the next 8 weeks of its release. It was advertised with the tagline “All living. Breathing. 100 per cent talking”.

The film has long been lost and was not available as far back as 1967 according to the National Film Archive of India, Pune.

STORY&PLOT

The film is a love story between a prince and a gypsy girl, based on a traditional Parsi play with a script written by the Bene Israel of India member, Joseph David Penkar. David later served as a writer at Irani’s film company. The story centers on an imaginary, historical royal family in the kingdom of Kumarpur. The main characters are the king, Sultan Saleem Khan (L. V. Prasad), and his two warring wives, Dilbahar Begum (Shushila), and Navbahar Begum (Zillu). Their rivalry escalates when a fakir (W. M. Khan) predicts that Navbahar will bear the king’s heir.

Dilbahar, in a fit, attempts to have an affair with the kingdom’s chief minister, General Adil Khan (Prithviraj). The affair goes sour and a vengeful Dilbahar imprisons him and exiles his daughter, Alam Ara or Alamara (Zubeida). In exile, Alamara is brought up by Gypsies. Upon returning to the palace at Kumarpur, Alamara meets and falls in love with the charming young prince, Jahangir Khan (Master Vithal). In the end, Adil is released, Dilbahar is punished and the lovers marry.

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